SPACE CRYSTALLIZATION 1988-2003

106. Without title, 1988, site-specific sculpture, wood, tempera (idea of Space Crystallization before the name was actually introduced)

Realization: during the Gerlesborgsskolan residency, Gerlesborg, Sweden, 1988.

107. Without title, 1990, site-specific sculpture, wood, (idea of Space Crystallization before the name was introduced)

Exhibition: Salon Comparaison ’90, Grand Palais, Paris, France,1990. Publications: Ludwika Ogorzelec [exhibition cat.]. Contemporary Art Center in Ujazdowski Castle, Warszawa 1994, phot. nr 8; Ludwika Ogorzelec [exhibition cat.]. Museum of Copper in Legnica, 1996, p. 14; Waldemar Grażewicz. Ludwika Ogorzelec. dialogArt 5, [exhibition cat.]. Galerie Altes Rathaus Worpswede, 1997, p. 7 in the part devoted to L. Ogorzelec.

108. Without title, 1991, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Space Crystallization”, Hudson D. Walker Gallery, Provincetown, MA, USA, 1991.
Publications: Anne Wilson Lloyd. “Provincetown – Ludwika Ogorzelec.” Art in America, October 1991, p. 162–163; Ludwika Ogorzelec [exhibition cat.]. Contemporary Art Center in Zamek Ujazdowski, Warszawa 1994, phot. nr 19; Ludwika Ogorzelec [exhibition cat.]. Museum of Copper in Legnica, 1996, p. 12; Waldemar Grażewicz. Ludwika Ogorzelec, dialogArt 5, [exhibition cat.]. Galerie Altes Rathaus, Worpswede, 1997, p. 9 in the part devoted to L. Ogorzelec.

109. Without title, 1991, site-specific sculpture, wood, (idea of Space Crystallization before the name was introduced)

Realization: during residency in Fine Arts Work Center, Provincetown, MA, USA, 1991.

110. Without title, 1991, site-specific sculpture, wood, (idea of Space Crystallization before the name was introduced)

Realization: during residency in the Fine Arts Work Center, Provincetown, MA, USA, 1991.

111. Without title, 1991, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec”, Galerie Barbier-Beltz, Paris, France,1991.
Publications: Ludwika Ogorzelec [exhibition cat.]. Contemporary Art Center in Zamek Ujazdowski, Warszawa 1994, phot. nr 6; Ludwika Ogorzelec [exhibition cat.]. Copper Museum in Legnica, 1996, p. 13; Waldemar Grażewicz. Ludwika Ogorzelec. dialogArt 5, [exhibition cat.]. Galerie Altes Rathaus Worpswede, 1997, p. 5 in the part devoted to L. Ogorzelec; Itzhak Goldberg. “Ludwika Ogorzelec – architecte de l’aléatoire.” MuséArt, 1996, No 62, p. 122–124, phot. p. 124.

112. Wind, 1991, site-specific sculpture, wood

Realization: Symposium of Art and Performance, Montagagne (Ariège-Pyrénées), France, 1991.

113. Ariadna’s Thread, 1992, site-specific sculpture, steel

Exhibition: : “Sculpteur dans la ville”, post-competition exhibition, Saint-Jean-de-Braye, France,
1992 (catalogue: phot. p. 36–38).
Publication: Ludwika Ogorzelec [exhibition cat.]. Copper Museum in Legnica, 1996, p. 15.

114. Transparency, 1993, site-specific sculpture, glass,
property: G. & A. Mamidakis Foundation, Agios Nikolaos, Crete, Greece

Realization: „Art in Politics” – 3rd Beach Art Symposium, Agios Nikolaos, Crete, Greece, 1993.

Publications: Dimitri Coromilas. “Art in Politics. 3rd Minos Beach Art Symposium 1993.” Artbook 11, G. & A. Mamidakis Foundation, Agios Nikolaos 1993, p. 10, 38, phot. 39; Geneva Anderson. “IIIe Minos Beach Moveszti Sympozium.” Balkon, 1993, No 9, p. 37–38; Maria Jeżewska. “Forma i przestrzeń.” Odra, 1994, No 4, p. 91–92; Ludwika Ogorzelec [exhibition cat.]. Contemporary Art
Centre in Zamek Ujazdowski, Warszawa 1994, phot. nr 6; Ludwika Ogorzelec [exhibition cat.]. Copper Museum in Legnica, 1996, p. 16–17; Ludwika Ogorzelec [exhibition cat.]. Musée-Galerie de la Seita, Paris 1998, p. 48.

115. Feral Apple Tree, 1994, site-specific sculpture, wood

Exhibition: “4 × rzeźba”, Galeria Awangarda, BWA in Wrocław, Poland,1994 (catalogue: p. 13, 14).
Publications: Ludwika Ogorzelec [exhibition cat.]. CSW Zamek Ujazdowski, Warszawa 1994, phot. nr 1–5; Ludwika Ogorzelec [exhibition cat.]. Museum of Copper in Legnica, 1996, p. 11; Waldemar Grażewicz. Ludwika Ogorzelec. dialogArt 5, [exhibition cat.]. Galerie Altes Rathaus Worpswede, 1997, p. 8 in the part devoted to L. Ogorzelec; Jaromir Jedliński. Ludwika Ogorzelec. “Laboratorium emocji” z cyklu „Krystalizacja przestrzeni,” Galeria Muzalewska, Poznań, 2013, p. 8–9.

116. Feral Apple Tree II, 1994, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Feral Apple Tree II. From the Space Crystallization cycle,”
Galeria Laboratorium, Contemporary Art Centre in Zamek Ujazdowski, Warszawa, 1994 (catalogue).
Publication: Ludwika Ogorzelec [exhibition cat.]. Copper Museum in Legnica, 1996, p. 10.

117. My Eye Level, 1995, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. My Eye Level. From the Space Crystallization cycle,” Hudson D. Walker Gallery, Provincetown, MA, USA, 1995.
Publications: Ludwika Ogorzelec [exhibition cat.]. Museum of Copper in Legnica, 1996, p. 8; Waldemar Grażewicz. Ludwika Ogorzelec. dialogArt 5, [exhibition cat.]. Galerie Altes Rathaus, Worpswede, 1997, p. 6.

118. Without title, 1995, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. From the Space Crystallization cycle”, Berta Walker Gallery – West-Window, Provincetown, MA, USA, 1995.
Publications: Ludwika Ogorzelec [exhibition cat.]. Museum of Copper in Legnica, 1996, p. 9; Waldemar Grażewicz. Ludwika Ogorzelec. dialogArt 5 [exhibition cat.]. Galerie Altes Rathaus,
Worpswede, 1997, p. 10 in the part devoted to L. Ogorzelec; Ludwika Ogorzelec [exhibition cat.]. Musée-Galerie de la Seita, Paris 1998, p. 35.

119. Wild Shoots of a Fruit Tree, 1995, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Ogorzelec. Wild Shoots of a Fruit Tree. From the Space Crystallization cycle,” Copper Museum in Legnica, 1995 (catalogue: p. 5, 7).
Publications: Itzhak Goldberg. “Ludwika Ogorzelec – architecte de l’aleatoire.” MuséArt, 1996, No 62, p. 122–124, phot. p. 124; Waldemar Grażewicz. Ludwika Ogorzelec. dialogArt 5 [exhibition cat.]. Galerie Altes Rathaus, Worpswede, 1997, p. 2 part devoted to L. Ogorzelec; Ludwika Ogorzelec [exhibition cat.]. Musée-Galerie de la Seita, Paris 1998, p. 12–13, 26–30; “Weaving the World. Contemporary Arts Linear Construction” [exhibition cat.]. Yokohama Museum of Art, Yokohama 1999, p. 126–127; Elżbieta Dzikowska, W sztuce świata. Polscy artyści. Rosikon Press, Izabelin 2005, p. 171.

120. Wild Shoots of a Fruit Tree II, 1996, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Wild Shoots of a Fruit Tree II. From the Space Crystallization cycle,” Galeria Grodzka, BWA in Lublin, Poland, 1996 (catalogue: phot. p. 1, 3, 5).

121. Without title, 1996, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Du cycle Cristallisation de l’espace”, Galerie Pascal
Vanhoecke, Paris, 1996.
Publication: Itzhak Goldberg. “Ludwika Ogorzelec – architecte de l’aleatoire.” MuséArt, 1996, No 62, 122–124, phot. p. 123.

122. My Eye Level II, 1996, site-specific sculpture, wood

Exhibition: “El meu nivell d’ulls II del cicle Cristallizació de l’espai” Galeria Les Punxes,
Barcelona, Spain, 1996.
Publicatons: Ludwika Ogorzelec [exhibition cat.]. Musée-Galerie de la Seita, Paris 1998, p. 6; Nikkei Art. Monthly Magazine for Art Collectors, 1996, No 12, p. 38; Elżbieta Dzikowska, W sztuce świata. Polscy artyści. Rosikon Press, Izabelin 2005, p. 170.

123. Without title, 1996, site-specific sculpture, wood

Exhibition: “L’arbre”, Galerie Bruno Delarue, Paris, France.
Publication: Ludwika Ogorzelec [exhibition cat.]. Musée-Galerie de la Seita, Paris 1998, p. 36–37.

124. Without title, 1996, site-specific sculpture, wood

Realization: Festival of Theater, Saint-Pierre-du-Regard, Moissy, Normandy, France, 1996.

125. Column I, wood, 100 × 32 × 12 cm,
property: Ludwika Ogorzelec

Exhibition: “Ludwika Ogorzelec. Cristalization del espacio”, Galeria Les Punxes, Barcelona, Spain, 1996.
Publication: Nikkei Art. Monthly Magazine for Art Collectors, 1996, No 12, p. 38.

129. Without title, 1997, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Du cycle Cristallisation de l’espace”, Le Forum Culturel du Blanc-
-Mesnil, Blanc-Mesnil near Paris, France,1997.
Publications: Ludwika Ogorzelec [exhibition cat.]. Musée-Galerie de la Seita, Paris 1998, p. 38–40; Marc Hérissé. “Ludwika Ogorzelec. Forum culturel, Blanc-Mesnil.” La Gazette de l’Hôtel Drouot, 1997, No 2; Pierre Mérite. “Exposition au Blanc-Mesnil / Ludwika Ogorzelec.” Petites Affiches, January 24, 1997.

130. Without title, 1997, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Du cycle Cristallisation de l’espace”, Galerie Askéo, Paris,
France,1997.

131. Without title, 1997, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Du cycle Cristallisation de l’espace”, Espace St. Louis, Bar-le-Duc,
France, 1997.
Publications: Waldemar Grażewicz. Ludwika Ogorzelec. dialogArt 5, [exhibition cat.]. Galerie Altes Rathaus, Worpswede 1997, p. 4 in the part devoted to L. Ogorzelec; Ludwika Ogorzelec
[exhibition cat.], Musée-Galerie de la Seita, Paris 1998, p. 43-44, cover; Ludwika Ogorzelec exhibition cat.], Galerie Roi Doré, Paris 2010, p. 26–27; Itzhak Goldberg. Installations, Editions CNRS, Paris 2014, p. 227–228.

132. Without title, 1997, site-specific sculpture, glass, steel, 5.2 × 0.7 × 0.7 m,
property: Ville d’Istres, France

Realization: public commission, Jardin de Grignion, Istres, France, 1997.
Publications: Ludwika Ogorzelec [exhibition cat.]. Musée-Galerie de la Seita, Paris 1998, p. 47; Elżbieta Dzikowska, W sztuce świata. Polscy artyści. Rosikon Press, Izabelin 2005, p. 172.

133. Without title, 1997, wood, 90 × 55 × 66 cm,
property: Ludwika Ogorzelec

134. Column II, 1998, wood, 2.05 × 0.45 × 0.33 m,
property: art collection of Andrzej Walczak, owner of “Atlas” Company, Łódź, Poland

Exhibitions: “Ludwika Ogorzelec. Sculpture in situ du cycle Cristallisation de l’espace”,
Musée-Galerie de la Seita. Paris, 1998 (catalogue); “Ludwika Ogorzelec. Sculpture et dessin,” Galerie Roi Doré, Paris, 2010 (catalogue).
Publications: Claude-Henri Rocquet. “Les chateaux de brandilles at de réveries d’Ogorzelec. Musée de la Seita.” La Croix, August 10,1998; Alexandre Grenier. “Ludwika Ogorzelec inextricable. Musée de la Seita.” Pariscope, September 23,1998.

135. Without title, 1998, site-specific sculpture, steel

Exhibition: “Ludwika Ogorzelec. Sculpture in situ du cycle Cristallisation de l’espace”, Musée-Galerie de la Seita, Paris, France,1998 (catalogue).
Publications: Jean-Michel Charbonnier. «Ogorzelec la passemuraille,» Beaux Arts Magazine, Septembre 1998, No 172, p. 32; Júlia Cserba. “A kikrsitályosodott tér Ludwika Ogorzelec kiállítása.” Balkon, 1998, phot. p. 4; Lydia Harambourg. “Ludwika Ogorzelec.” La Gazette de l’Hôtel Drouot, 1998, No 28; Piotr Kasznia. “W poszukiwaniu równowagi.” Rzeczpospolita, July 17,1998; RH-HI. “Ludwika Ogorzelec.” Les Cahiers de la Sculpture, 1989, No 7, p. 46; Elżbieta Dzikowska, W sztuce świata. Polscy artyści. Rosikon Press, Izabelin 2005, p. 172.

136. Without title, 1998, site-specific sculpture, steel

Exhibition: “Ludwika Ogorzelec. Du cycle Cristallisation de l’espace”, Galerie Pascal Vanhoecke, Paris, 1998.

137. Without title, 1999, site-specific sculpture, glass

Exhibition: “Ludwika Ogorzelec. Du cycle Cristallisation de l’espace”, Galerie Askéo, Paris, France,1999.

138. Without title, 1999, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. From the Space Crystallization cycle”, Experimental Intermedia
Foundation – Window Gallery, Ghent, Belgium, 1999.
Publications: Niblock, Phill. Ludwika Ogorzelec – “Crystallization of Space,” Experimental Intermedia Foundation, May 8,1999; Elżbieta Dzikowska. W sztuce świata. Polscy artyści, Rosikon Press, Izabelin 2005, p. 173.

141. Without title, 1999, site-specific sculpture, wood, 4 × 6 × 14 m

Exhibition: “Weaving the World. Contemporary Arts Linear Construction”, Museum of Art, Yokohama Museum of Art, Yokohama, Japan, 1999 (catalogue – p. 126–127, 176–177).
Publications: Kanagawa Shimbun, June-July 1999, No 26; Sogetsu, 1999, No 244, 245; Rusei, September 1999; Pia, July 1999; Gekkan, July 1999; Koji Kinutani. Bi, Sozo e. Tokyo 2003, p. 53.

142. Without title, 2000, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. From the Space Crystallization cycle”, Robert Pardo Gallery, Chelsea, New York, 2000.
Publications: Holland Cotter. “Surging Into Chelsea,” New York Times January 21, 2000; Elisabeth Rogers. “Crystallization of space – Ludwika Ogorzelec’s Exploration.” NY Arts – International Edition, 2000, Vol. 5, No 2, p. 98.

143. Without title, 2000, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. From the Space Crystallization cycle”, Islip Art Museum, Long Island, New York, 2000.
Publications: John K Grande. “Ludwika Ogorzelec: Space Crystallization Cycle.” Espace Sculpture, Summer 2009, No 88; Ludwika Ogorzelec [exhibition cat.], Galerie Roi Doré, Paris 2010, p. 38.

144. Without title, 2000, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Aus dem Zyklus Raumkristallisation”, Worpswede, Germany, 2000.

145. Without title, 2000, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Del ciclo Cristalization del espacio”, Galeria Les Punxes, Barcelona, Spain, 2000.
Publications: Jan Jakiełek. “Inwazja w torontońskim ogrodzie rzeźb / Invasion of the Toronto Sculpture Garden.” Nowy Kurier, Polish-Canadian Independent Courier, Toronto, May1-15,
2007, p. 5; Sylwia Gibs. “Europa widziana z Paryża. Europejskie dni dziedzictwa.” Biuletyn RFI, Paris, September 20, 2008; Ludwika Ogorzelec [exhibition cat.], Galerie Roi Doré, Paris 2010, p. 39; Diederik Aerts, Marek Czachor, Maciej Kuna. “Crystallization of Space: Space-Time Fractals from Fractal Arithmetic.” Chaos, Solitons and Fractals, 2016, No 83.

146. Without title, 2001, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. From the Space Crystallization cycle”, Spalding University Art Gallery, within the Spalding University Art Program, Memorial Park, Louisville, KY, USA, 2001.

147. Transparency II, 2001, site-specific sculpture, glass

Exhibition: “Ludwika Ogorzelec. Öppenhet II [Transparency II]. Från cykeln Kristallisering av rymden,” Släggö Island, Lysekil, Sweden, 2001.
Publication: Ludwika Ogorzelec [exhibition cat.], Galerie Roi Doré, Paris 2010, p. 33.

148. Reconciliation, 2001, site-specific sculpture, wood

Exhibition: “Express Art from New York. Lattuada Milano – Pardo New York”, Gallery, Milan, Italy, 2001 (catalogue).

149. Without title, 2001, site-specific sculpture, wood

Exhibition: “Ludwika Ogorzelec. Del ciclo Cristalization del espacio”, Museo de Arte y Diseño, San José, Costa Rica, 2001.
Publication: Cristalización del espacio: Ludwika Ogorzelec, Polonia, [exhibition cat.]. Museo de Arte y Diseño Contemporáneo, San José 2001.

150. Without title, 2001, wood, 36,6 × 30,5 × 32 cm,
property: Ludwika Ogorzelec

Exhibitions: “Ludwika Ogorzelec. Sculpture et dessin”, Galerie Roi Doré, France, 2010 (catalogue); “Ludwika Ogorzelec. Laboratorium emocji. Z cyklu Krystalizacja przestrzeni,” Galeria Muzalewska, Poznań, Poland, 2013 (catalogue).

151. Without title, 2001, wood, 58 × 86 × 56 cm,
property: Ludwika Ogorzelec

Exhibition: “Ludwika Ogorzelec. Sculpture et dessin”, Galerie Roi Doré, Paris, France, 2010 (catalogue).

152. Without title, 2002, site-specific sculpture, wood

Exhibition: “Dialog 2” – collective exhibition within the Edinburgh International Festival, Edinburgh, UK, 2002;
Publications: Paul Dale. “The List Festival. Dialog 2.” The Weekly Guide to Edinburgh Festival, August 2002, p. 75; Giles Sutherland. “Dialog 2, Edinburgh College of Art.” The Sunday Herald, 2002.

153. Without title, 2002, site-specific sculpture, glass, steel, 1.8 × 4.6 × 6.4 m,
property: Cat’Art Centre International de Recherche et de Création, Sainte Colombe, France

Realization: during residency in Cat’Art Centre International de Recherche et de Création, Sainte Colombe, France, 2002.

154. Without title, 2002, site-specific sculpture, cotton fabric

Realization: “Bosc” – Art & Nature Symposium, Cat’Art Centre international de recherche et de création, Montbel, France, 2002 (catalogue). Publication: Aperceptions, Apperceptions. Exposition d’art actuel [exhibition cat.], Galerie Guislain – Etats d’Art, Paris 2003.

155. Without title, 2003, site-specific sculpture, cellophane

Realization: during residency in the Pierre Daura Art Foundation, Saint-Cirq-Lapopie, France, 2003. Publication: C.P. “Ludwika Ogorzelec sculpte l’espace” La Depeche LOT, April 14, 2003.

156. Without title, 2003, site-specific sculpture, cellophane

Exhibition: “Aperceptions, Apperceptions. Exposition d’Art Actuel”, Galerie Guislain – Paris, 2003 (catalogue: p. 9, 16).

157. My Eye Level III, 2003, site-specific sculpture, cellophane

Exhibition: “Ludwika Ogorzelec. From the Space Crystallization cycle”, Lafayette College, Williams Center Art Gallery, Easton, PA, USA, 2003 (catalogue).
Publications: Michiko Okaya. “Ludwika Ogorzelec. My Eye Level. Space Crystallization Cycle.” Lafayette College Guide, September 3, 2003; Kathy Bruce. “Easton, Pennsylvania / Ludwika Ogorzelec. Williams Center Art Gallery / Neither the material, nor the object,” Sculpture, July/August 2004, Vol. 23, No 6.

158. Without title, 2003, site-specific sculpture, cellophane

Exhibition: “Ludwika Ogorzelec. From the Space Crystallization cycle,” National Museum in Sofia, Bulgaria, 2003.

159. Without title, 2003, site-specific sculpture, cellophane

Realization: Hotel Pupik Art Festival, Schrattenberg, Austria, 2003.